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Attitude of James Cameron on artificial intelligence He has developed in the last few years, and he feels that Hollywood needs to be accepted in several different ways.
Last year, Cameron joined the Board of Directors of the AI stability, explaining his decision on the “Boz to the future” last week.
“The goal was to understand the space, to understand what’s on the mind of the developer,” he said. “What do they target? What is their development cycle? How many resources do you have to throw at it to create a new model that makes a deliberately built thing, and my goal was to try to integrate it into the VFX course of work.”
He continued, saying that the transition to AI was necessary.
James Cameron wants Hollywood to implement Ai more for a big budget movies. (Karwai Tang/Wireimage)
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“And it’s not just hypothetical. We have to continue to see the types of movies I have always loved and I love to make and which I will go to see-” Dunes “,” Dunes: the second part “or one of my films or big effects, CG-Hevy films-we have to think about how to reduce the costs of the one in half.
“Now it’s not about eliminating half of the staff in a VFX company. It is a doublement of their speed until completion of a certain recording, so your cadence is faster and your permeable cycle is faster, and artists move on and do other cool things, and then other cool things, isn’t my kind of vision for that.”
Cameron doesn’t think movies are ultimately “big target” for companies like Openi.
“Their goal is not to create genes of movies. We’re a little nipple on their ass,” he laughed.
“Movies are just a small application, a tiny use of the case, and it is too tiny right now. It’s a problem. It will be smaller, groups of genoa developers for boutique who can attract attention and say,” Hey, I have a problem here, it’s called a rotoscope, “or it is called basically, and that needs, and anything needs, and anyway, it is necessary, and that is necessary.
Cameron believes that AI has been applied to the film creation of “only small application” of technology. (Getty Images)
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Rotoscopy is a task that involves drawing or monitoring the frame of the vibrant action of a live action by frame.
Cameron said people don’t go into film creativity and vfx to do “underwater needle Roto[scoping]. And there are a lot of such tasks: “Like the change of frames on the frame to recording movements that he thinks AI can make faster and more cost effective.”
“It’s all common sense, isn’t it? All you have to do is something like a feed in a few million pictures from the real world and have a stupid algorithm,” he said.
Cameron has previously denied the use of AI 2023, citing his 1984. The movie “Terminator” as a warning.
The “Terminator” franchise began the release of the first film in October 1984, starring Arnold Schwarzenegger as a killer Android. (Sunset Boulevard/Corbis via Getty Images)
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“I think weapons Ai is the biggest danger,” he told the Canadian CTV at the time.
“I think we’ll get into the equivalent of nuclear weapons racing with AI, and if we don’t build it, other guys will surely build it, and so will escalate it,” Cameron said.
He continued, “You could imagine Ai in the combat theater, and the whole thing that just fighting computers at the speed of people can no longer stray, and you do not have the ability to design.”
“I warned you the boys in 1984, and you didn’t listen,” Cameron said, referring to the plot of the film and his sequel with Sentien Ai destroying humanity.
Robot Prop from “Terminator 3: The Rise of Machines”, one of the sequels to the franchise, envisages the dark future of AI that destroys humanity. (Reuters/Mike Blake)
Then Cameron said he was not worried about the Ai replaced the creatives, saying, “It is never a question of who wrote it, the question is that a good story?”
“I just do not believe that the unconscious mind that only regurgates what other embodied minds said – about the life they had, about love, lying, about fear, about mortality – and only put it all together in a salad of words, and then reging it … I do not believe it will have something that will have the audience,” he said.
On the “Boz to the Future” Podcast Cameron diminished negative feelings for most fun industry shared about the generative AI.
“A lot of hesitation in Hollywood and fun are generally questions of original training materials and who deserve both copyright protection and all such things, and I think people make it all wrong,” he said.
AI was a key issue of actor and strike writer 2023. (Mario Tama/Getty Images)
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He explained that all the brain already acts like Ai: “You create a model as you go through life to quickly process that model every new situation that appears. You don’t say,” Wait a second, I’ll be back. “… it doesn’t work that way.”
“My point is, as a screenwriter, as a filmmaker if I copy exactly ‘Star Wars’, I’ll sue. In fact, I won’t even get that far. Everyone will say that it is too much like “Star Wars”, we will sue. I won’t get money. As a screenwriter, you have a kind of built -in ethical filter that says, “I know my sources, I know what I love. I know what to imitate. I also know that I have to move it far enough that it is my independent creation.” ”
Cameron agreed that it should be managing “from a legal perspective”, but he believes that the focus should be on what is the exit and if it is brought to the entrance.
“You can’t control my contribution. You can’t tell me what to see and see where to go. My contribution is what I choose and everything that accumulates during my life. My exit should be judged whether it’s too close or plagiarism,” he said, admitting that people consider “monetization of libraries” and all kind of things. “
Cameron agrees that there should be legal control on the output and the input of AI-raised content, but not necessarily through entry and training. (Apartment Honda/AFP via Getty Images)
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Some companies already allow AI companies Access to their back catalogs.
Lionsgate, a studio behind movies like “Hunger and” Twilight “game, joined with AI Runway research companies last September to” create and train a new AI model, adapted to the owner’s portfolio of the film and television Lionsgate “ The company’s statement at that time.
Cameron admitted that he did not like the idea that someone would use Ai to imitate him.
“I think we should discourage the text that says” James Cameron’s style “or in” Zac Snyder “or” in style “style. Invent your own style.” But on the other hand, it’s kind of cool to have “in style” as part of a text window. “
The “Titanic” director admitted that he did not necessarily want anyone to use AI to mimic him or other directors. (Gabriel Olsen/Getty Pictures for Absolut Elyx)
The trend of painting paintings in certain styles has stripped off on social media, creating controversy around copyright and originality.
Recently people regularly shared paintings generated in the style of Japanese animation company Studio Ghiblifurther stimulation of discussion.
But Cameron saw no problem.
“How does Ghibla study harm the fans?” Cameron asked Podcast, noting that Fan Art was an eye “forever”.
“You can’t stop the cheerleading art, you don’t want to stop the arts of fans. It’s an expression. They echoed something they answered, it makes them feel participatory in that universe. These things need to be encouraged.”
“Aliens” director said he supports the arts of fans, such as the recent trend of painting Ghibli AI-Generained. (Anthony Wallace/AFP via Getty Images)
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However, the line attracted to financial profit.
“If someone comes out and trying to make money in a way that damages the Ghibli studio and is proven, I think you have to draw a line here.”
He continued, “How is it different from the sale of the T -shirt, and on the T -shirt is a picture of the Skywalker’s port? You can’t do it. Lucasarts can do it. You can’t do it. It’s a piracy. It will close. However, if you just wanted to wear one and express your” No Sargeta “fan.
